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By Roya Khorshid
January - March 1998
Lemar-Aftaab
Darkness was putting its shadow on Anaar Gol's hut while
she was trying to turn on her old oil lamp. She made herself some hot
tea in her tiny steel kettle and placed it in front of her with some sugar
and a piece of cold bread. That was to be her dinner. She took a few bites
from the bread and sipped her tea quickly. She was exhausted, both physically
and mentally, for her entire week was spent sewing clothes for Mirza Habib's family.
Sewing was her profession since she could remember. Spending her
whole life in a corner and sewing by hand, she
had turned into a hunch-back. Her dream was to be able to afford a
sewing
machine, but poverty stood in her way. As each day
passed,
she was getting weaker and less patient. Her fingers and arms no longer
had the strength they used to have. Her back was always in pain, her
eyes wearied, and
yet, she had no choice but to sit and sew.
Tonight, she was especially tired and felt the need to take some
extra
minutes, eating her dinner. Suddenly, she remembered that Nowrouz was
coming in
three days; Mirza's family needed their clothes
and she needed the
money for
food. She put her food aside
and started
sewing
the green dress for
Mirza
Habib's wife, Khanom Gol. The
darkness prevented her
from
seeing her work, so she made
the lamp brighter.
She moved up her head
to sip
her tea and saw her shadow on the
wall. She studied the dark figure on
the
wall carefully and thought how the
shadow was her only friend through
out
life. People might have changed
their ways with her, leaving her stranded
in
the
middle of nowhere, but her shadow
was always there, loyal and
accompanying her every step of
her life. Its only change was that it,
too,
looked weaker
and smaller with a convex hump
on its back. It used to be tall and
upright like Anaar Gol, but life's
obstacles had altered both her shadow
and
herself.
Anaar Gol's father had died before she
was born. Her mother had ran
away from her village to escape a
forceful marriage to her
brother-in-law. She had settled in
Chashma Saar, working in Mirza Qayum,
Mirza Habib's father's, house as a servant.
The people seemed to accept
her until
they found out that she was
carrying a child. In a matter of days, the
"wise"
ones of the village had spread
the rumor that she had run
away because she
was carrying an illegitimate child.
They wanted her out for fear of a
bad name, but
Mirza Qayum, out of the goodness
of his heart, sought permission for her
to
stay
on the condition that she would be
banished from all village activities.
Anaar Gol was born to the lonely world
of her mother, a
world that she would inherit, too. She
was a normal, healthy baby with
beautiful black hair, a straight nose,
a nice mouth, and a very unique
pair of
eyes. It was not the shape of the eyes
that mesmerized one; it was
their color.
One was as black as a moon-less
night while the other was a strong blue,
like
the mighty ocean. To her mother
, her eyes were a blessing from God and
to the
villagers, it was a curse thrown
upon her for being illegitimate. This
"curse"
was to follow and haunt her entire
life and it did.
She grew up as an outcast
, being mistreated by her community.
To the
children, her name was not Anaar
Gol or Anaari as her mom called her;
instead,
it was "devil's child," "spurious girl,"
"bastard" and worst of all,
"wicked
eyes". Her innocence kept her in
ignorance until she turned into a
young
woman. No longer accepting
things as they appeared, her mind questioned
the
intrigue behind her eyes and her
mandatory seclusion. She would
ask her
mother what
was so
wrong and evil about her eyes.
Is that the reason she was disliked by
everyone? Why were her eyes that way?
Why couldn't they be the same as
others?
Was the strangeness of her eyes a
curse of illegitimacy? And her mother
would
always give her the same answer:
"Your beautiful eyes are a blessing,
not a curse.
What they say is worthless,
for God is a witness to our innocence."
In the beginning, that was an
acceptable answer, but now,
even God was not an acceptable
excuse for her. She would sit in
the
corner of the Haveli in the sunshine,
and while sewing, she would think
of
finding solutions to her problem.
What she didn't know was that she
would
spend years in that corner, thinking,
and the only useful thing coming
out
would be the clothes she sewed.
As if her life was not without
hardship, it took away her
only friend and
family- her unfortunate mother.
No one offered help to arrange a
funeral
for her and once again, Mirza
Qayum did everything in his
power to make sure that she got
a final resting place. Lonely
no
longer sufficiently explained how
she felt, for she was far worse.
She
would stare at her eyes in her
mother's little mirror, and blame them
for
everything. As days passed,
she started to believe she really
was cursed
and that was why she was
deprived of everything in life, even family.
She
decided to completely seclude
herself from all humankind and if people
were
afraid of her eyes, she didn't blame
them because her eyes were
wicked. So she
just spent many lonely days and
nights in a corner, sewing and
pondering.
After a few years, Mirza Qayum
arranged for her to marry
one of his farmers, Shah Agha. There
was a short religious ceremony
for them and in less then twenty minutes,
she was married to a man she
had never
seen or heard of. He took her to his only
possession on earth, his tiny
hut
and her new life began there. Even though
it took him weeks to be able
to
look her straight in the eye, he ended
up admiring her every move. The
blue and
black colors of her eyes looked more
beautiful and mesmerizing to him as
each
day passed. Anaar Gol's struggling
life had changed for the best this
time
and she was the happiest woman on
earth for two months, for Shah Agha,
just like her mother, left her again
alone in the world. His death
affected
her in a
way that was far from one's anticipation.
She would sit in the dark hut,
and cry for
hours and laugh. She would pick up
his clothes and talk to
them, thinking they were him. Someone
had even reported to Mirza that
she was
caught trying to dig Shah Agha's grave
one night, so he sent his wife
to
comfort her. She came back convinced
that she had gone insane. The
villagers had
complained that her cries in the middle
of the night frightened them,
but no
one had the heart nor courage to
stop her.
"Oooof!", Anaar Gol cried,
as she poked herself with the
needle. The pain had brought her
back to the present, sitting in her dark
hut, sewing Khanom Gol's green dress,
which now had a few drops of blood
on
it. Her face was wet with
tears and sweat and her eyes
were hurting.
She hadn't
cried for a very
long time. She pulled her
mother's mirror from
underneath her pillow and
after many years, looked at
herself. Her face looked
tired, but without
any indications of her struggles;
it almost looked
expressionless. It was her
eyes that held all the pain and the
injustice of her life.
She realized that
her black eye, which used to be
as dark as the midnight,
had taken the color of
cold ashes, and her ocean blue
eye looked as gray and dull
as a rainy sky.
That night, she sat there for
hours, staring at them, and
the more she looked
at them, the more her hatred
toward them enhanced.
Finally, when she had
enough, she threw the mirror
against the wall with a loud,
painful cry and
closed her eyes to end the
misery forever.
Roya Khorshid is a
member of the Association of Afghan Writers.
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Copyright © 1998 Aftaabzad Publications. All Rights Reserved.
May not
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